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7th Book Festival: Back and Forth

Exhibition

Exhibition

Authorship

María/Rosario Montero

Curatorship

Colectivo Oficina de la Nada

Type

Exhibition Group

Location

Galería de Arte del Centro de Extensión UC

Date

14 August - 30 September 2025

Participation in the 7th Book Festival: Back and Forth, with a selection from the project Fracturas expuestas (Exposed Fractures).

The work forms part of a visual research project on representations of nature and the Andes mountain range in Chile, articulating institutional archives, personal records and contemporary production to examine the fractures that shape the relationship with the territory in its historical, extractive and affective dimensions.

Fracturas expuestas is developed within the framework of FONDECYT Postdoctoral Project No. 3220021, “Naturaleza y cultura, percepciones y representación en Chile” (Nature and Culture: Perceptions and Representation in Chile).

Linked projects

Nature and Culture, Perceptions and Representation in Chile

Instituto de Estética, PUC, Santiago Chile

2023-2025

Exposed Fractures

Cordillera de los Andes central, Santiago, Chile

2022-2024

Tentocular Lanscapes

Chile-Spain

2022 and 2023

Publications

Exposed Fractures

Artist's book

June, 2024

Residencies

The residency took place at the GPA (Grupo de Publicaciones Artísticas) Artistic Publications Laboratory, at the Faculty of Arts of Universidad Finis Terrae, in Santiago, Chile, as a space where research already underway since 2018 on the mountain found an editorial form: the three archives that had until then circulated as separate photographs — the images from the artist’s father, an engineer and collaborator with the dictatorship, documenting large-scale construction projects between 1970 and 1990; the artist’s own survey of the urban edges of the Santiago Metropolitan Region, begun in 2021; and the SERNATUR archive, now held at the National Library, with images from 1976 to 1994 tied to the construction of national identity during the dictatorship and the first years of the return to democracy — came together and settled into the artist’s book «Fracturas Expuestas,» produced in an edition of 25 copies in 2024, where fracture stopped being merely a photographed subject and became an editorial principle: something read in the cut of the pages, in the sequence of images, and in the very materiality of the paper.

Facultad de Artes, Universidad Finis Terrae, Santiago, Chile

March-June 2024

Outreach and mediation

Support and funding

Fracturas expuestas (Exposed Fractures) is developed within the framework of FONDECYT Postdoctoral Project No. 3220021, “Naturaleza y cultura, percepciones y representación en Chile” (Nature and Culture: Perceptions and Representation in Chile).

Resources

Back to all projects