The exhibition “Paisajes Privados” in Iquique presented the artist’s doctoral research, creating a sensitive space to critically examine how colonial agencies have shaped the perception of landscape in Chile.
From a decolonial perspective, it engaged the garden as an everyday site to rework relationships between image, territory, and experience through situated photographic practices in Iquique and Puerto Varas.
Through modular structures as display dispositifs, the exhibition made visible the processes, methodologies, and findings of the research in dialogue with the community.