The text offers a critical reading of the Conversación de Campo project, presenting it as a situated practice at the intersection of art and anthropology, where knowledge production emerges through collaborative, relational, and open processes rather than distant representation.
The collective develops experimental methodologies based on conversation, intervention, and co creation, which displace hierarchies between researcher, artist, and community, understanding the field as a space of encounter and negotiation of meaning.
Their work conceives landscape and the social as dynamic assemblages in which image, experience, and territory are co constituted, making visible relations of power while opening possibilities for their reconfiguration through situated practices.