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Fire Forest

Exhibition

Exhibition

Authorship

Colectivo Agencia de Borde

Type

Exhibition Solo

Location

Museo de la Solidaridad Salvador Allende, Santiago, Chile

Date

25 March 2023-13 August 2023

The exhibition «Bosques de Fuego» (Fire Forest) invites us to blur the boundaries between what we consider natural and human, examining the relationships, history, and cultural construction of monoculture plantations. To do so, the collective undertakes the risky exercise of complicating our perceptions of the eucalyptus tree, a species that seems to embody and bear responsibility for a series of afflictions across the national territory, starting with wildfires.

This search for blurred boundaries also extends to the collective itself, Agencia de Borde, whose work is positioned at the intersection of art and anthropology. Using tools drawn from this social science—ethnography, field notebooks—they gather and produce documentation (interviews and oral testimony, video, drawings, photographs) that is then transformed into visual art. Following this same logic, rather than choosing a single format, they express their work through the interrelation of multiple media: installations, drawings, videos, sound, and photography.

Linked projects

Nature and Culture, Perceptions and Representation in Chile

Instituto de Estética, PUC, Santiago Chile

2023-2025

Fire forest

Curarrehue, El Tabo, Valdivia, Chaihuín. Chile.

2020-2024

Border Agency art collective

Santiago, Chile

2012-present

Publications

Residencies

We carried out fieldwork in Bosque Pehuén, a conservation reserve belonging to the Mar Adentro Foundation. In January 2022, we spent two weeks with our families and the artist Sebastián Calfuqueo working in the recovered forests of the Mar Adentro Foundation. During the residency, we carried out different actions that aimed to make visible the relationships between the species and the temporalities that co-exist there. We arrived at the Pehuén Forest longing to be affected by the infinite relationships that underpin notions of landscape. We wanted to inhabit and understand the forest beyond the camera’s mediated gaze. We wanted to smell, touch, get dirty… turn into a forest. Feel and think through the experience of being IN that territory. We devised different strategies to be in the forest and think of it not as taxonomies of species and experiences, but as connecting relationships. In this process, and following some ideas put forward by Tomás Ibarra (2020), we set out to go, touch and link the elements that contained the memory, encountering the stumps along the way. These are tree trunks that were cut down, burned, or simply fell, speaking to a time when this place was a productive site of native timber extraction. They also remind us of and make visible a much longer and imperceptible history. Understanding these remnants of trees as reservoirs of memory and new life, places where ecosystems reproduce again and where new trees are born and take up residence, means that the boundaries between the living and the inert are blurred. The interdependence of organisms and the becoming of a deep time are expressed very clearly. We created a series of stoneware ceramic pieces in which the textures of the stumps are imprinted by contact between the trunk and the paste. The shapes engraved in the ceramics emerged as rapidly as the rest of the forest. At the same time, we plotted a grid of points along our routes through the forest by recording our geolocation as we marked the stumps. Thus, we recorded the dead/living trees in photography, video, geolocation and stoneware. The experience in Bosque Pehuén opened a new dimension of what we had been investigating in Bosque de Fuego, as we found another forest within the forest, formed by the remains of trees that, in turn, build an internal network in the ecosystem. We discovered a forest within the forest, and that was a find we were not looking for.

Bosque Pehuén, Araucanía andina, Chile

17 al 31 January 2022

Outreach and mediation

Drawn Walk, Huertxescuela

MSSA/Agencia de Borde, May 27, 2021

Support and funding

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