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Twisted Trees

Exhibition

Exhibition

Authorship

Colectivo Agencia de Borde, Sebastián Calfuqueo and María Lara Millapán

Curatorship

Maya Errázuriz de Fundación Mar Adentro

Type

Exhibition Solo

Location

Galería de Arte UC Temuco / CENTEX Valparaíso

Date

April–May 2022 / June–August 2022

In many of the oldest existing forests, we find numerous examples of crooked trees, few of which have survived human intervention. Nevertheless, extractivism deemed them useless. However, the torsion of native trees allows them to remain resilient and permanent within their ecosystem; this raises an important question: How do we survive the homogenization and simplification of landscapes?

“Árboles Torcidos” seeks to represent a cohabitation aesthetic, and it promotes the bloom of natural and cultural diversities to think of/from/and through a forest, and other possible futures.

Linked projects

Nature and Culture, Perceptions and Representation in Chile

Instituto de Estética, PUC, Santiago Chile

2023-2025

Fire forest

Curarrehue, El Tabo, Valdivia, Chaihuín. Chile.

2020-2024

Border Agency art collective

Santiago, Chile

2012-present

Publications

Residencies

We carried out fieldwork in Bosque Pehuén, a conservation reserve belonging to the Mar Adentro Foundation. In January 2022, we spent two weeks with our families and the artist Sebastián Calfuqueo working in the recovered forests of the Mar Adentro Foundation. During the residency, we carried out different actions that aimed to make visible the relationships between the species and the temporalities that co-exist there. We arrived at the Pehuén Forest longing to be affected by the infinite relationships that underpin notions of landscape. We wanted to inhabit and understand the forest beyond the camera’s mediated gaze. We wanted to smell, touch, get dirty… turn into a forest. Feel and think through the experience of being IN that territory. We devised different strategies to be in the forest and think of it not as taxonomies of species and experiences, but as connecting relationships. In this process, and following some ideas put forward by Tomás Ibarra (2020), we set out to go, touch and link the elements that contained the memory, encountering the stumps along the way. These are tree trunks that were cut down, burned, or simply fell, speaking to a time when this place was a productive site of native timber extraction. They also remind us of and make visible a much longer and imperceptible history. Understanding these remnants of trees as reservoirs of memory and new life, places where ecosystems reproduce again and where new trees are born and take up residence, means that the boundaries between the living and the inert are blurred. The interdependence of organisms and the becoming of a deep time are expressed very clearly. We created a series of stoneware ceramic pieces in which the textures of the stumps are imprinted by contact between the trunk and the paste. The shapes engraved in the ceramics emerged as rapidly as the rest of the forest. At the same time, we plotted a grid of points along our routes through the forest by recording our geolocation as we marked the stumps. Thus, we recorded the dead/living trees in photography, video, geolocation and stoneware. The experience in Bosque Pehuén opened a new dimension of what we had been investigating in Bosque de Fuego, as we found another forest within the forest, formed by the remains of trees that, in turn, build an internal network in the ecosystem. We discovered a forest within the forest, and that was a find we were not looking for.

Bosque Pehuén, Araucanía andina, Chile

17 al 31 January 2022

Outreach and mediation

Guided walk with Tomás Ibarra

Agosto 2022, Exhibición Árboles torcidos, CENTEX, Valparaíso

August 2022, Árboles torcidos (Crooked Trees) exhibition, CENTEX, Valparaíso

The route began at the square next to the Lord Thomas Cochrane Museum, taking as its point of departure the eucalyptus that crowns Plaza Sotomayor, and concluded with a visit to the exhibition at CENTEX. The walk addressed the relationship between eucalyptus/monoculture and the forest from the perspective of modes of coexistence between humans and nonhumans.

https://agenciadeborde.com/es/exposicion-arboles-torcidos-caminata-guiada/

https://agenciadeborde.com/es/exposicion-arboles-torcidos-caminata-guiada/

Support and funding

Project funded by FONDART (National Fund for Cultural Development and the Arts), Creation line, 2022, and Fundación Mar Adentro.

Resources

“Árboles Torcidos”: una exposición que cuestiona las lógicas binarias y el paisaje, El Austral, el diario de La Araucanía, 23 abril 2022

Centex recibe mañana tres nuevas exposiciones: “Árboles Torcidos”, La Estrella de Valparaíso, 2022

Árboles Torcidos: “Centex inaugura triple exposición de artes visuales”, El Mercurio de Valparaíso, 2022

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